Adam - Giselle / Carla Fracci, Erik Bruhn, John Lanchbery, American Ballet Theatre

I used to love watching Carla Fracci dancing Giselle in the theatre often with Erik Bruhn or Ivan Nagy but not this sorry mess. Shot in a studio the first act set resembles the ABT first act but the second act looks like a one set fits all from an old Omnibus TV presentation. The director seems to have seen Godards Breathless and never gotten over it. Instead of seeing the dance and complete steps the choreography comes at the viewer as a series of jump cuts from different angles often with people or stage props between the viewer and dancers; like bursts of machine gun fire. Such wasted opportunity. Perhaps a silk purse cannot be made from a sows ear but this ill conceived video proves the reverse can be easily done.

The dance performance is good. Video production is VHS quality, muddy and dark. It is too bad they couldnt remaster and clean up the video quality. Disappointing on DVD. No chapter divisions or random access to scenes.

This is a good video. The dancing is great! My only problem with it is that since it is made for video, the director gets a little artsy and takes away a bit from the dancing with his creative touches. I was also disappointed that the credits are very limited. The only dancers credited at all were the principals and soloists. Still worth the purchase.

I saw this ballet danced by Brun in the 70s on T.V.. The performance by Brun was brillant. I ordered this DVD hoping I would still feel the same way after all these years. I was not disappointed and the DVD was of the highest quality and the dancing was as magical as I remembered it to be!

We just bought this DVD. Images are beautiful and sound quality is excellent. Carla Fraccis dancing is superb. At times, the filming adds value e.g. by including snapshots of forests and lakes. At times, the rapid-cut editing and the close-ups are a bit disturbing. In spite of those minor grudges, we warmly recommend buying this beautiful DVD.

I detest this film. What should have been a glorious opportunity to capture Fracci and Bruhn in their signature partnership is ruined by the meddlesome and ignorant direction of Hugo Niebeling and David Blair. Giselle is a ballet; ballet is about dance; dance should be the focus of attention. We should have unobstructed views of the dancers dancing. Instead, we get shots through villagers eating and talking, shots from above, shots from the side, shots through machinery, shots reflected in pools, and so on - absolutely infuriating, unartistic, and puerile. What a shame and a sham! What a colossal misunderstanding of art!

I reviewed this yesterday and am only writing this because that was not quite correct. This is a movie which I hadn’t realized when I ordered it. The scenery, costumes are so elaborate they take aware from the gorgeous impact that actual ballet has had on me so many times. The filming of it is totally different than seeing it in person...

Excellent! This is a great example of why I like the American Ballet better than the Bolshoi. When the Bolshoi makes a movie, they just set up a camera or three in front of the stage, and you get no more than the audience gets. And you listen to the audience applause every so often, to let you know you should admire that particular bit. The American Ballet -- and the British -- make a movie of it, with different camera angles, including close-ups, and sets that could not be contained on a theater stage, and even a few special effects. Theyre still telling a story in music and dance, but they take advantage of what film can do. Also, the costumes are so much better. Again, they tend to go beyond what would be effective on a stage.

Carla Fracci was magnificent as Giselle and Bruhn a very good partner.

Excellent for any ballet lovers collection. This is a collectable item. Beautiful. Also excellent condition and handled in timely manner by seller. Thumbs UP!