Hudson Hawk [DVD]

This is one of those movies. You either love it or hate it. I heard bad things about it and wasnt expecting much when I first saw it years ago. I bought the DVD years ago and just bought the Amazon stream for my iPad. I love this movie, not for everyone but it fits my sense of humor so 5 stars from me.

Good quality

Item was purchased as a NEW item but was not cellophane wrapped and box corners are lightly beat up. While the disc looks fine, i paid for a new item and got an opened (USED) item.

Bruce Willis may be mdisappointed by this movie, but our family isn’t. I grew up with this being a super fun movie, bought it as an adult, and still enjoy it. Not for kids, but high school age and up should have fun with the adventure and nonsensical action. Don’t expect ‘Die Hard’, but expect a fun and entertaining movie.

Another welcome edition to the retro VHS Mill Creek series - sturdy cardboard sleeve (itll fit nicely in your bluray library) that perfectly replicates a well worn VHS tape. Good sound and HD picture. Optional English subtitles. Great price, too. Years ago, one of Hollywood’s biggest stars signed on to play the lead role in an adventure that found him running all over Europe seeking various items hidden in the work of Leonardo da Vinci, all while trying not to be murdered by members of a diabolical secret society. That scenario didn’t work out quite as well for Bruce Willis, however, as it later would for Tom Hanks. Hudson Hawk was one of the most notorious flops of the ’90s, still a bad-movie punchline over two decades later. And Willis, frankly, shoulders a lot of the blame—not just because he helped think up the crazy story, but because this movie arguably caught him at peak smugness, lazily coasting on his wised-up smirk. This was the Return of Bruno, Planet Hollywood, Demi Moore era. He belts out a few tunes, one a duet with Danny Aiello (the pizza parlor proprietor in Do the Right Thing). Also on board: the late, great James Coburn and pre - NYPD Blue/ CSI David Caruso. Not to rest on laurels, Frank Stallone co-stars. Thats entertainment! Hudson Hawk (like Harley Davidson and the Marlboro Man and Roadhouse) demands to be seen, if only because it goes places few studio star vehicles have ever dared. The screenplay is credited to Steven E. DeSouza, who penned the first two Die Hard films, and Daniel Waters, best known for writing the black comedy Heathers (directed, like Hudson Hawk, by Michael Lehmann). As that odd combination would suggest, it plays like the most extreme parody of an action movie imaginable, with every element cranked up to 11. Heist sequences are shot as goofy musical numbers. Richard E. Grant and Sandra Bernhard (The King of Comedy), as the crazed villains, engage in a film-long contest to determine who can go further over the top, with. Andie MacDowell (Groundhog Day) impersonates a dolphin at length. It’s the kind of film viewers watch with mouth agape, unable to believe that hundreds of professionals spent months (and millions) working to make it. And taken in the right mood, a lot of it is genuinely pretty funny. Anyone can throw the hero out of an ambulance and have him barrel down the highway on a gurney, but it takes a cherishably warped sensibility to have him catch another driver’s discarded cigarette butt, take a puff, and then complain that it’s menthol.

Blown away by the fast service, ordered it and received it the next day. Came in perfect shape, no flaws or scratches. So happy to be able to replace my VHS with a Blu Ray of a great movie.

There is a “cool” factor in this flick and The script brings great fun in cheek! Bruce Willis’ best effort in my opinion. Never a dull moment with this.

The movie actually starts off pretty well and I must confess to be slightly surprised with Willis’s comedic capability. Then the plot begins to mold into something completely ridiculous. I suppose if one doesn’t take the plot that seriously, they would enjoy it but it was too ridiculous for my liking.

Forget Southland Tales, this movie is a real doozy. If theres a term that defines beyond over-the-top, it would be Hudson Hawk. Theres no way to explain just how bat-scat crazy this movie really is, other than saying its outrageous balderdash. I didnt know what to expect from this, other than the fact that it got panned by critics. I can understand why: its not that it was sold to be one thing but its really something else, this movie was sold to be one thing but it turned out to be too much of everything. That thought can put anyone in a weird position. The bizarreness began when the movie started in a book form, telling about Leonard da Vinci making a conversion device that can turn lead into gold. Jump to the present day (circa 1990), it has the titular character (Willis) bailing out of prison and being escorted by his pal Tommy (Danny Aiello), only to be later greeted by a mob and forced him to steal a statue from a museum. After the heist (while he and Tommy sing, no less), the movie started becoming hazy once an English butler killed a mob boss and broke the statue to find a princess artifact. Later, the same statue was returned to the museum without Hawks knowledge, so when he got there to check it out, there was a sudden sabotage by rich moguls, then he got chased by the mob in an ambulance before hes confronted by another rich mogul and his thugs named after brand-name chocolate bars. Hawk got sent to Rome to work for one faction, then on another faction, only to support a completely different faction with Andie MacDowells character, and from what I can gather, there was an evil plan to use Vincis conversion device and things blow up. In many ways, the plot of the unwilling protagonist getting involved in multiple groups without any real understanding reminds me of the Coens bowling strike, The Big Lebowski. While this is an earlier film compared to the film about a shomer shabbos guy beating up a guys car, The Big Lebowski did keep the clustered plot and its humor subdued. This movie doesnt know how to be subtle, it just goes on the loony path without taking a break. Its completely random at how scenes were set up so Hudson Hawk can be where he has to go and make witty retorts along the way. Nothing about this movie is realistic, almost every slapstick moment includes a Looney Tunes sound effect and multiple cartoon-based gags. Its rather unorthodox that such a zany movie can be so violent and vulgar; characters were cursing and getting sliced, the mood of this movie was all over the place. Does this movie had any idea what to do with a lot of elements it had? It tried to do so much and so fast that the insanity got a bit unnerving. For being such an outrageous movie, Hudson Hawk does maintain this kind of eccentricity for the entire runtime. At least it has the right cast to go with the zaniness, and the zaniness is consistent; just about the entire cast are simply out of their mind, even the one-dimensional love-interest like MacDowell (eventually) becomes as loony as the rest. Its a total mess, but it is a unique mess. There has never been another action-adventure, romantic-comedy, historical, musical, gangster, surreal, product placement movie quite like this. Its an achievement to say the least.

One of my favorite movies of all time and also eminently quotable. Great appearances by Richard E. Grant and Sandra Bernhard who bring psychotic to a whole new level. Also nice early appearances of David Caruso and Lorraine Toussaint. This movie was hamstrung by poor marketing, but it would have been hard to market. It is a cross between a spoof, a farce, and avant garde surrealism, and if viewed through that lens (not as, say, a straight up action or action-comedy), it should be well respected.