Jacquard Cyanotype Sensitizer Set
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Linda Blalock
> 3 dayArt projects and cloth and easy to use, but dies take time. Also timing depends on the sun time and season.
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Joellen Conway
Greater than one weekWork prefect and last forever!
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Kate Sullivan
> 3 dayArrived in a timely manner for use in a Civil War Tech Educational Program
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Kindle Customer
> 3 dayProduct easy to use...and having a great time producing cyanotypes on watercolor paper
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Zachariah Ratke
> 3 dayWorked perfectly and will last a long time with how much there is
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Tanya
Greater than one weekIve used this product for years. I used to buy elsewhere until someone directed me here. Its a great price, considering most companies sell this for $30 or more for the same kit. These are dry chemicals and you must add water (distilled only, its better without contaminants). Mix in dark room, where gloves when applying and you are good to go. You can make some fantastic art and photography with this. Print on anything (cloth or papers). Cyanotypes are an understated medium and this kits lets you try it on a budget!
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Rich Downing
> 3 dayI used this for class. The instructions were fine and worked.
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Lisa Shea
> 3 dayI adore making cyanotypes and have tried a variety of options for making them. In general there are three choices. You can buy the paper pre-made which is fairly expensive (relatively speaking). You can buy the solution mixed up like this, which generally costs a lot because now youre paying to ship mostly water to you. And you can buy the crystals and just add water which is by far the most economical. So even saying that this is much more expensive than buying crystals, its far more expensive even than other liquid-based solutions! This option here is over **three times** as much as the other solution I buy. I cant see how they justify a three times markup for cyanotype liquid - especially when this in general is already so much more expensive than the raw crystals are. It looks like price gouging to me.
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NaT
Greater than one weekVery easy to use: mix equal parts of each bottle and brush on the paper. I did a few prints with these and they came out as expected.
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Dana C.
Greater than one weekit worked! I used this with my students. In the darkroom, under safe lights, we laid transparencies as negatives over some watercolor paper that we had painted with the mix. We brought the glass easels out in the sun for 15 minutes on a sunny bright spring day. We rinsed for a few minutes in a plastic tray with slowly running water. They came out great! The next day, they were indeed a little deeper blue.