triangle Borea BR03 Hi-Fi Bookshelf Speakers (Black Ash, Pair)

Way better than I expected at this price. They sound better than my $2000.00 Martin Login Motion 40,s

Speakers had a nice tone to them but they had problems keeping instruments in the same register distinct which made me reluctantly send them back. It was noted by Thomas stereo on YouTube also

This speaker is not decent in bass response without some EQ or a sub. Thats disappointing given its size. Otherwise its okay. I do think the Elac Reference speaker out shines this Triangle offering for about the same money. Want to sample? buy this speaker on the promise of a return if dissatisfied. For some setups it could shine like a diamond. Sadly, not so for me. I find it lacks just too much in the bottom end for classical & jazz music without help from a sub. Good build quality and stylish drivers. Perhaps nice for a second hi fi setup with casual use.

After reading and listening to many reviews, I took the plunge and purchased these speakers. They were paired with a Yamaha AS 501 that delivered 85 wpc, which should have been more than adequate. I could never get the speakers to deliver clean audio from either a Bluetooth receiver or a CD player even after a sufficient break-in period. Nicely finished and great looking, I expected more. Finally settled on Klipsch RP 600, which I caught on sale for the same price. The Klipsch are better in every way, but that’s just my opinion.

I own pairs of each of these: ELAC Uni-Fi UB5 Klipsch RP-600M ELAC Debut B6.2 ELAC Debut B6 Theyre all AMAZING speakers that sound fabulous at twice, three times, and even five times their price tags. None of them is anything less than superlative. Indeed, reviewers have run out of superlatives to bestow on all of them. The original Debut B6 is the all-time, possibly never to be dethroned, bang-for-the-buck audiophile speakers. If you dont have at least one pair of them, you havent lived, my friend! For $279, they simply turned Hi-Fi upside down, utterly reshuffling peoples expectations for affordable speakers. They were easygoing. Laid back. Powerful in the lower octaves. They make every recording sound great regardless of source material or amplifier. Im still speechless at what they did for THAT kind of money. It made EVERY other speaker company up their game. Dramatically. We owe a LOT to those speakers. The B6.2 had a bit more grown up sound. Simple as that. Lots of goodness there, and a bit more classy. And easier to put closer to the front wall because of the front port. The Uni-Fi UB5 brought affordable Hi-Fi to a whole nother level again. A true 3-way speaker with a coherence and holographic soundstage that leaves you breathless. Just make sure you have a GOOD, powerful, high-current amp to drive them, as theyre not sensitive, and theyre 4 ohm speakers on top of that. Theyre a glass of Châteauneuf-du- Pape, for ones who appreciate perfection and class. They never put a foot wrong. They point their pinkies. Theyre accurate. They have a pinpoint accuracy in the soundstage. But it takes a LOT of clean power to get them to drop the classy act and just light the place up, which theyll do if you ask nicely. And give them gifts. Known as high-wattage amplification. You dont get the most beautiful date to settle for beer and McDonalds, nor can you feed that to these speakers and get away with it. Bring out the Porsche, the medium rare filet mignon, and a Vega Sicilia 1989, and youre golden. (You also get rewarded with ludicrously low, detailed, and powerful bass.) The RP-600M killed all the preconceived notions that horn speakers are shouty and harsh. Good GRIEF, did they ever! And they did it with ANY amplifier. And they are always ready to have FUN. So engaging, refined, and...LOUD. Not very much bass, but did I mention that theyre fun? Id say theyre a really fine tequila. No salt or lime (or courage) needed. Plenty of flavor. Very effective. Lovely to sip in small amounts. But its ALWAYS ready to join you for five more shots, get crazy, trash the hotel room, and jump from the balcony into the pool WHENEVER you say the word. (In an experiment, I ran just the pair of them in my theater room, which is 35x15 feet. I set them on top of my main towers, told nobody that it was ONLY them playing, and they practically flexed the windows with output. Nobody believed me when I told them that I was only running a pair of bookshelves, until they walked over to them. Stunning. Ludicrous. FUN.) Enter the Triangle BR03. Put simply, its basically ALL of the best attributes of the others, but with little no none of the drawbacks. It makes recordings bring you to tears if theyre great, but doesnt punish you for bad recordings. Its presentation of the soundstage is in front of the speakers rather than at or behind them (but not as far forward as the Klipsch), and startlingly real. Its almost creepy. Like you can reach out and touch it-kind of realism. Not quiiiiite as shockingly real as the ELAC UB5, but close enough. Its got class in spades, AND it can party like a rock star. It can play as loud as you want, and it doesnt demand fancy components. There are 2 caveats. To wit: 1) A new pair of loafers needs to soften and mold to your feet. The engine on a new Audi RS7 needs the right number of revs for the right period of time, in order to have all the moving parts get bedded in and seated in their permanent operational positions. A new house needs furniture, beds, and pictures on the walls (and time) for it to feel like home. These arent imaginary concepts. These arent magical, esoteric fairy tales. These are facts. The same is true of the moving parts of a speaker. Trying to reduce it to mere test numbers on a graph doesnt measure what your ears tell you. So, back to the BR03. Right out of the box, they are BRIGHT BRIGHT BRIGHT, and the bass is merely good. This is not only fine; its also as normal as can be. Put on some good source material with plenty of vocals and cymbals for the mids and highs, crank it up, and give them 2 or 3 hours of a good workout. No, you dont need 100 hours. Yes, theyll continue to sound better, warmer, fuller, and less brassy the longer you play them, but 2 or 3 hours of loud-ish vocals and percussion will get them to open up to where you can get the proper idea of how these sound. This brings the brightness down to a still airy, but revealing and beautiful level...and it sends the bass into the stratosphere. I turn off my subs for music listening, and I had to go check the power switches on my subs. TWICE. Its ludicrous what these speakers can do down low. Youll be dumbstruck. That, or youll laugh like a right bloody idiot. Or both. For the woofers, instead of playing bass-heavy music that I find disgusting and repugnant, I skipped the middle man, and I dialed up a test tone of 25 Hz, turned the volume DOWN, then slowly adjusted it to where the woofer cone was giving me about 8-10mm of excursion, and MOST CERTAINLY NOT bottoming out nor making ANY type of untoward noise. I did this five times, at one minute each time. Again: DO NOT do this at high volumes. The result? Ooooooooh MAN. So very, VERY sweet. And POWERFUL. So DO NOT judge them on the very first notes that come out of them. Even just half an hour makes a difference. The first full week you have them, theyll transform from great to AMAZING. 2) Play with the placement. If you do it correctly, youll have a perfect sweet spot that spans the entire sofa (not just the middle seat), and the best part is that THE SPEAKERS WILL COMPLETELY DISAPPEAR. You wont be able to discern ANY sound coming from either of them. Ill tell you how I achieved that. Ive got two wonderful children, so I HAD TO put them on actual bookshelves, right up against the front wall. Everybody will tell you that this is the wrong place to put your speakers. And they would be right. Generally speaking, your speakers are at the front of the soundstage and the front wall is the back of it. Spatially, thats how it sounds. In a perfect world, you should have these on stands, roughly 2 to 3 feet out from the wall. But I couldnt do that. Also, the bass gets radically stronger the closer they are to the front wall. These are so bass-rich, it might be too much for some people. You can fix that with a little bit of EQ. I myself dont mind at all. The key to this all...is toe-in. I learned from The Legend himself, Mr. John Strohbeen (and from New Record Day on YouTube, which has a speaker placement and soundstage tutorial that is amazing) that you can make a HUGE, wide sweet spot where the speakers vanish and all you hear is music happening in your room...with some radical amounts of toe-in angle. So Ill make this quick and easy: put your speakers 9-12 feet apart, and angle them in at 45 degrees. Yes. You read that correctly: 45 degrees. First, try your speakers firing straight out into the room. Theyll sound great, but the sweet spot will be in only one seating position, and youll likely still hear sound coming from the speakers. But angle them in at 45 degrees, and hold on to your hat, because itll be blown off. Along with your brain. So buy a pair. Let them get a little exercise. Warm them up, so to speak. Then set them up correctly, put on Jennifer Warnes Famous Blue Raincoat or Lyle Lovett Joshua Judges Ruth, and be amazed. Believe the hype. Today, in September of 2020, these are the best affordable speakers on the market. p.s. If you want the single best system tweak I (or my favorite reviewers) have EVER found, get a vacuum tube preamp. But not just any. Get the iFi iTube 2. Its a REAL Single-Ended Triode (SET) AND a Class A Push-Pull preamp (and classic Class A) tube preamp, all in one housing. For $399. Youll never again be without it after youve tried it. Get $10,000 dollar sound out of your existing amplifier. Genius. Hope this helps!

Evaluated Triangle BR03’s against KEF Q150’s, used ELAC Uni-fi slim 5. Each speaker had its strengths and weaknesses - to me, the BR03’s had the most balanced and well-rounded sound. Since I was pairing the speakers with an inexpensive class D, integrated amp, I was concerned that the Aiyima T9 could not drive the ELAC. The Triangles are simple to drive and sounded surprisingly transparent and clear without the sharpness, treble forwardness of other speakers. Additionally, they make even poor recordings sound compelling. Highly recommend.

in short, these are truly wonderful speakers. I own speakers at twice the price, and these are just about on par with them. To me they excel across the normal listening spectrum. Separation of instruments and vocals are way above the norm. I found these to be the most holographic of all my speakers thus creating an excellent sound stage. For further info, there are many solid reviews for these speakers on YT.

Great speakers!

I own pairs of each of these: ELAC Uni-Fi UB5 Klipsch RP-600M ELAC Debut B6.2 ELAC Debut B6 Theyre all AMAZING speakers that sound fabulous at twice, three times, and even five times their price tags. None of them is anything less than superlative. Indeed, reviewers have run out of superlatives to bestow on all of them. The original Debut B6 is the all-time, possibly never to be dethroned, bang-for-the-buck audiophile speakers. If you dont have at least one pair of them, you havent lived, my friend! For $279, they simply turned Hi-Fi upside down, utterly reshuffling peoples expectations for affordable speakers. They were easygoing. Laid back. Powerful in the lower octaves. They make every recording sound great regardless of source material or amplifier. Im still speechless at what they did for THAT kind of money. It made EVERY other speaker company up their game. Dramatically. We owe a LOT to those speakers. The B6.2 had a bit more grown up sound. Simple as that. Lots of goodness there, and a bit more classy. And easier to put closer to the front wall because of the front port. The Uni-Fi UB5 brought affordable Hi-Fi to a whole nother level again. A true 3-way speaker with a coherence and holographic soundstage that leaves you breathless. Just make sure you have a GOOD, powerful, high-current amp to drive them, as theyre not sensitive, and theyre 4 ohm speakers on top of that. Theyre a glass of Châteauneuf-du- Pape, for ones who appreciate perfection and class. They never put a foot wrong. They point their pinkies. Theyre accurate. They have a pinpoint accuracy in the soundstage. But it takes a LOT of clean power to get them to drop the classy act and just light the place up, which theyll do if you ask nicely. And give them gifts. Known as high-wattage amplification. You dont get the most beautiful date to settle for beer and McDonalds, nor can you feed that to these speakers and get away with it. Bring out the Porsche, the medium rare filet mignon, and a Vega Sicilia 1989, and youre golden. (You also get rewarded with ludicrously low, detailed, and powerful bass.) The RP-600M killed all the preconceived notions that horn speakers are shouty and harsh. Good GRIEF, did they ever! And they did it with ANY amplifier. And they are always ready to have FUN. So engaging, refined, and...LOUD. Not very much bass, but did I mention that theyre fun? Id say theyre a really fine tequila. No salt or lime (or courage) needed. Plenty of flavor. Very effective. Lovely to sip in small amounts. But its ALWAYS ready to join you for five more shots, get crazy, trash the hotel room, and jump from the balcony into the pool WHENEVER you say the word. (In an experiment, I ran just the pair of them in my theater room, which is 35x15 feet. I set them on top of my main towers, told nobody that it was ONLY them playing, and they practically flexed the windows with output. Nobody believed me when I told them that I was only running a pair of bookshelves, until they walked over to them. Stunning. Ludicrous. FUN.) Enter the Triangle BR03. Put simply, its basically ALL of the best attributes of the others, but with little no none of the drawbacks. It makes recordings bring you to tears if theyre great, but doesnt punish you for bad recordings. Its presentation of the soundstage is in front of the speakers rather than at or behind them (but not as far forward as the Klipsch), and startlingly real. Its almost creepy. Like you can reach out and touch it-kind of realism. Not quiiiiite as shockingly real as the ELAC UB5, but close enough. Its got class in spades, AND it can party like a rock star. It can play as loud as you want, and it doesnt demand fancy components. There are 2 caveats. To wit: 1) A new pair of loafers needs to soften and mold to your feet. The engine on a new Audi RS7 needs the right number of revs for the right period of time, in order to have all the moving parts get bedded in and seated in their permanent operational positions. A new house needs furniture, beds, and pictures on the walls (and time) for it to feel like home. These arent imaginary concepts. These arent magical, esoteric fairy tales. These are facts. The same is true of the moving parts of a speaker. Trying to reduce it to mere test numbers on a graph doesnt measure what your ears tell you. So, back to the BR03. Right out of the box, they are BRIGHT BRIGHT BRIGHT, and the bass is merely good. This is not only fine; its also as normal as can be. Put on some good source material with plenty of vocals and cymbals for the mids and highs, crank it up, and give them 2 or 3 hours of a good workout. No, you dont need 100 hours. Yes, theyll continue to sound better, warmer, fuller, and less brassy the longer you play them, but 2 or 3 hours of loud-ish vocals and percussion will get them to open up to where you can get the proper idea of how these sound. This brings the brightness down to a still airy, but revealing and beautiful level...and it sends the bass into the stratosphere. I turn off my subs for music listening, and I had to go check the power switches on my subs. TWICE. Its ludicrous what these speakers can do down low. Youll be dumbstruck. That, or youll laugh like a right bloody idiot. Or both. For the woofers, instead of playing bass-heavy music that I find disgusting and repugnant, I skipped the middle man, and I dialed up a test tone of 25 Hz, turned the volume DOWN, then slowly adjusted it to where the woofer cone was giving me about 8-10mm of excursion, and MOST CERTAINLY NOT bottoming out nor making ANY type of untoward noise. I did this five times, at one minute each time. Again: DO NOT do this at high volumes. The result? Ooooooooh MAN. So very, VERY sweet. And POWERFUL. So DO NOT judge them on the very first notes that come out of them. Even just half an hour makes a difference. The first full week you have them, theyll transform from great to AMAZING. 2) Play with the placement. If you do it correctly, youll have a perfect sweet spot that spans the entire sofa (not just the middle seat), and the best part is that THE SPEAKERS WILL COMPLETELY DISAPPEAR. You wont be able to discern ANY sound coming from either of them. Ill tell you how I achieved that. Ive got two wonderful children, so I HAD TO put them on actual bookshelves, right up against the front wall. Everybody will tell you that this is the wrong place to put your speakers. And they would be right. Generally speaking, your speakers are at the front of the soundstage and the front wall is the back of it. Spatially, thats how it sounds. In a perfect world, you should have these on stands, roughly 2 to 3 feet out from the wall. But I couldnt do that. Also, the bass gets radically stronger the closer they are to the front wall. These are so bass-rich, it might be too much for some people. You can fix that with a little bit of EQ. I myself dont mind at all. The key to this all...is toe-in. I learned from The Legend himself, Mr. John Strohbeen (and from New Record Day on YouTube, which has a speaker placement and soundstage tutorial that is amazing) that you can make a HUGE, wide sweet spot where the speakers vanish and all you hear is music happening in your room...with some radical amounts of toe-in angle. So Ill make this quick and easy: put your speakers 9-12 feet apart, and angle them in at 45 degrees. Yes. You read that correctly: 45 degrees. First, try your speakers firing straight out into the room. Theyll sound great, but the sweet spot will be in only one seating position, and youll likely still hear sound coming from the speakers. But angle them in at 45 degrees, and hold on to your hat, because itll be blown off. Along with your brain. So buy a pair. Let them get a little exercise. Warm them up, so to speak. Then set them up correctly, put on Jennifer Warnes Famous Blue Raincoat or Lyle Lovett Joshua Judges Ruth, and be amazed. Believe the hype. Today, in September of 2020, these are the best affordable speakers on the market. p.s. If you want one of the single best system tweaks I have EVER found, get a vacuum tube preamp. But not just any. Get the Schiit Vali 2+. And get an Electro Harmonix 6922 tube, or a Sovtek 6n1p, right here on Amazon, for less than $30. Theyre dual triode tubes, and most everybody finds them to be THE best way of getting a positively MONSTROUS soundstage in width, height, and depth, or razor-sharp stereo imaging. In short, you get thousands of dollars of genuine single-ended-triode tube sound out of your existing amplifier. For next to nothing. Genius. Hope this helps!

Well I first got Paradigm SE Atom, then to Klispch 600m, to JBL Stage 190, to Jbl studio 530. I think I have something I can live with. It is is small room 10 x 11. The Bro 3 have a balanced sound, great vocals, great bass and clear sounding. Im powering them thew yamaha intergrated amp s801. 100 watts per channel @ 8 ohms. And something happened, when I was playing at a pretty high listening level, I felt this cool breeze come over me. It was refreshing he he. Well those two front base ports were pumping out cool air that I could feel at 6 feet away. Better I not go to 3/4 volume it might knock me out of my chair (a little exaggeration here). I now prefer front ported speakers over rear ports. Im thinking if they sound this good now, what more lovely they will sound after 40 hours or so break in! I wish they would insrease the whoofer to 7 inch in larger speaker. 7 is Gods favorite number, I once has ADS 710s and they were a favorite speaker for me in the 70s and 80s.