triangle Borea BR03 Hi-Fi Bookshelf Speakers (Black Ash, Pair)

(897 reviews)

Price
$237.00

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(80000 available )

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  • Story Angel

    > 24 hour

    I own pairs of each of these: ELAC Uni-Fi UB5 Klipsch RP-600M ELAC Debut B6.2 ELAC Debut B6 Theyre all AMAZING speakers that sound fabulous at twice, three times, and even five times their price tags. None of them is anything less than superlative. Indeed, reviewers have run out of superlatives to bestow on all of them. The original Debut B6 is the all-time, possibly never to be dethroned, bang-for-the-buck audiophile speakers. If you dont have at least one pair of them, you havent lived, my friend! For $279, they simply turned Hi-Fi upside down, utterly reshuffling peoples expectations for affordable speakers. They were easygoing. Laid back. Powerful in the lower octaves. They make every recording sound great regardless of source material or amplifier. Im still speechless at what they did for THAT kind of money. It made EVERY other speaker company up their game. Dramatically. We owe a LOT to those speakers. The B6.2 had a bit more grown up sound. Simple as that. Lots of goodness there, and a bit more classy. And easier to put closer to the front wall because of the front port. The Uni-Fi UB5 brought affordable Hi-Fi to a whole nother level again. A true 3-way speaker with a coherence and holographic soundstage that leaves you breathless. Just make sure you have a GOOD, powerful, high-current amp to drive them, as theyre not sensitive, and theyre 4 ohm speakers on top of that. Theyre a glass of Châteauneuf-du- Pape, for ones who appreciate perfection and class. They never put a foot wrong. They point their pinkies. Theyre accurate. They have a pinpoint accuracy in the soundstage. But it takes a LOT of clean power to get them to drop the classy act and just light the place up, which theyll do if you ask nicely. And give them gifts. Known as high-wattage amplification. You dont get the most beautiful date to settle for beer and McDonalds, nor can you feed that to these speakers and get away with it. Bring out the Porsche, the medium rare filet mignon, and a Vega Sicilia 1989, and youre golden. (You also get rewarded with ludicrously low, detailed, and powerful bass.) The RP-600M killed all the preconceived notions that horn speakers are shouty and harsh. Good GRIEF, did they ever! And they did it with ANY amplifier. And they are always ready to have FUN. So engaging, refined, and...LOUD. Not very much bass, but did I mention that theyre fun? Id say theyre a really fine tequila. No salt or lime (or courage) needed. Plenty of flavor. Very effective. Lovely to sip in small amounts. But its ALWAYS ready to join you for five more shots, get crazy, trash the hotel room, and jump from the balcony into the pool WHENEVER you say the word. (In an experiment, I ran just the pair of them in my theater room, which is 35x15 feet. I set them on top of my main towers, told nobody that it was ONLY them playing, and they practically flexed the windows with output. Nobody believed me when I told them that I was only running a pair of bookshelves, until they walked over to them. Stunning. Ludicrous. FUN.) Enter the Triangle BR03. Put simply, its basically ALL of the best attributes of the others, but with little no none of the drawbacks. It makes recordings bring you to tears if theyre great, but doesnt punish you for bad recordings. Its presentation of the soundstage is in front of the speakers rather than at or behind them (but not as far forward as the Klipsch), and startlingly real. Its almost creepy. Like you can reach out and touch it-kind of realism. Not quiiiiite as shockingly real as the ELAC UB5, but close enough. Its got class in spades, AND it can party like a rock star. It can play as loud as you want, and it doesnt demand fancy components. There are 2 caveats. To wit: 1) A new pair of loafers needs to soften and mold to your feet. The engine on a new Audi RS7 needs the right number of revs for the right period of time, in order to have all the moving parts get bedded in and seated in their permanent operational positions. A new house needs furniture, beds, and pictures on the walls (and time) for it to feel like home. These arent imaginary concepts. These arent magical, esoteric fairy tales. These are facts. The same is true of the moving parts of a speaker. Trying to reduce it to mere test numbers on a graph doesnt measure what your ears tell you. So, back to the BR03. Right out of the box, they are BRIGHT BRIGHT BRIGHT, and the bass is merely good. This is not only fine; its also as normal as can be. Put on some good source material with plenty of vocals and cymbals for the mids and highs, crank it up, and give them 2 or 3 hours of a good workout. No, you dont need 100 hours. Yes, theyll continue to sound better, warmer, fuller, and less brassy the longer you play them, but 2 or 3 hours of loud-ish vocals and percussion will get them to open up to where you can get the proper idea of how these sound. This brings the brightness down to a still airy, but revealing and beautiful level...and it sends the bass into the stratosphere. I turn off my subs for music listening, and I had to go check the power switches on my subs. TWICE. Its ludicrous what these speakers can do down low. Youll be dumbstruck. That, or youll laugh like a right bloody idiot. Or both. For the woofers, instead of playing bass-heavy music that I find disgusting and repugnant, I skipped the middle man, and I dialed up a test tone of 25 Hz, turned the volume DOWN, then slowly adjusted it to where the woofer cone was giving me about 8-10mm of excursion, and MOST CERTAINLY NOT bottoming out nor making ANY type of untoward noise. I did this five times, at one minute each time. Again: DO NOT do this at high volumes. The result? Ooooooooh MAN. So very, VERY sweet. And POWERFUL. So DO NOT judge them on the very first notes that come out of them. Even just half an hour makes a difference. The first full week you have them, theyll transform from great to AMAZING. 2) Play with the placement. If you do it correctly, youll have a perfect sweet spot that spans the entire sofa (not just the middle seat), and the best part is that THE SPEAKERS WILL COMPLETELY DISAPPEAR. You wont be able to discern ANY sound coming from either of them. Ill tell you how I achieved that. Ive got two wonderful children, so I HAD TO put them on actual bookshelves, right up against the front wall. Everybody will tell you that this is the wrong place to put your speakers. And they would be right. Generally speaking, your speakers are at the front of the soundstage and the front wall is the back of it. Spatially, thats how it sounds. In a perfect world, you should have these on stands, roughly 2 to 3 feet out from the wall. But I couldnt do that. Also, the bass gets radically stronger the closer they are to the front wall. These are so bass-rich, it might be too much for some people. You can fix that with a little bit of EQ. I myself dont mind at all. The key to this all...is toe-in. I learned from The Legend himself, Mr. John Strohbeen (and from New Record Day on YouTube, which has a speaker placement and soundstage tutorial that is amazing) that you can make a HUGE, wide sweet spot where the speakers vanish and all you hear is music happening in your room...with some radical amounts of toe-in angle. So Ill make this quick and easy: put your speakers 9-12 feet apart, and angle them in at 45 degrees. Yes. You read that correctly: 45 degrees. First, try your speakers firing straight out into the room. Theyll sound great, but the sweet spot will be in only one seating position, and youll likely still hear sound coming from the speakers. But angle them in at 45 degrees, and hold on to your hat, because itll be blown off. Along with your brain. So buy a pair. Let them get a little exercise. Warm them up, so to speak. Then set them up correctly, put on Jennifer Warnes Famous Blue Raincoat or Lyle Lovett Joshua Judges Ruth, and be amazed. Believe the hype. Today, in September of 2020, these are the best affordable speakers on the market. p.s. If you want one of the single best system tweaks I have EVER found, get a vacuum tube preamp. But not just any. Get the Schiit Vali 2+. And get an Electro Harmonix 6922 tube, or a Sovtek 6n1p, right here on Amazon, for less than $30. Theyre dual triode tubes, and most everybody finds them to be THE best way of getting a positively MONSTROUS soundstage in width, height, and depth, or razor-sharp stereo imaging. In short, you get thousands of dollars of genuine single-ended-triode tube sound out of your existing amplifier. For next to nothing. Genius. Hope this helps!

  • Kokito

    > 24 hour

    Well I first got Paradigm SE Atom, then to Klispch 600m, to JBL Stage 190, to Jbl studio 530. I think I have something I can live with. It is is small room 10 x 11. The Bro 3 have a balanced sound, great vocals, great bass and clear sounding. Im powering them thew yamaha intergrated amp s801. 100 watts per channel @ 8 ohms. And something happened, when I was playing at a pretty high listening level, I felt this cool breeze come over me. It was refreshing he he. Well those two front base ports were pumping out cool air that I could feel at 6 feet away. Better I not go to 3/4 volume it might knock me out of my chair (a little exaggeration here). I now prefer front ported speakers over rear ports. Im thinking if they sound this good now, what more lovely they will sound after 40 hours or so break in! I wish they would insrease the whoofer to 7 inch in larger speaker. 7 is Gods favorite number, I once has ADS 710s and they were a favorite speaker for me in the 70s and 80s.

  • Robert H.

    > 24 hour

    Fabulous sound that fills the room. Great speakers.

  • Steve Adams

    > 24 hour

    Paired with a great amp, these speakers perform amazingly well. By themselves, their acoustic range is solid. Paired with a subwoofer, its an awesome experience.

  • Alex Jeffrey

    > 24 hour

    They sound really good connected to my old Fisher RS636, if you’re using with a turntable I would get a separate phono preamp if your AV receiver or amp doesn’t have one. These babies get loud! I can listen comfortably at volume 3 and loudly at 5. They don’t distort at loud volumes either. If you have $600 to drop on some dope speakers I’d consider these.

  • Mitchell Harden

    > 24 hour

    Best speakers I have tried so far. I replaced my B&W 607 for these in the living room and I have no regrets. I even prefer them to the KEF R3 because of their better high-end clarity. At first the low-end wasnt much to write home about but it develops over time. They definitely have a break in period before they sound their best, so make sure you dont return them right away if you think they are lacking. Id say these compete with the Klipsch RP600M MK2 for a much cheaper price.

  • desertbear

    > 24 hour

    I’ve had these for over two weeks now and they seem to be getting better as time goes on. My previous bookshelf speakers were Kef Q100’s, which were nice but I needed something better. After doing some research I settled on these, without being able to listen to them first (it was a gamble, but with the 30 day return I thought I’d give them a try). First thing I noticed was the bass/midrange is so much more than the Kef’s. I do have a subwoofer, but to tell the truth I really don’t need it for music. One thing I was concerned about was that some reviews thought it might be to “bright” for some, at first when I listened them I was having a tough time not hearing much treble, but as I’ve had more time with then the sound is coming through balance and the treble comes through when it’s suppose to. The soundstage is great! It sounds like a concert going on right in your room. The main vocals is front and center, backup singing has its place depending on the song, and the instruments come through and compliment the vocals. One of my go to songs for instrumental is Michael Hedges’ Aerial Boundaries, it sounds amazing. Just one guy play a guitar, an amazing guy RIP, and it sounds great. One other thing of note is you will begin to hear things you never noticed before in some songs, or movies for that matter. My primary speakers are ESS AMT 1b, they’re old but I wouldn’t trade them for anything. The reason I bring that up is I think when you’re use to a curtain sound from speakers when you listen to new one’s they sound odd at first because you have expectations, however these Triangle Borea BR03 offer great sound at an amazing price. If you want some bookshelf speakers that sound better than some that cost twice as much these should be high on your list. Happy listening.

  • J

    > 24 hour

    I was worried when I first got these that I would need a subwoofer, but with proper placement you dont need a thing! Just hook these bad boys up to your amplifier, sit in the middle of them and enjoy! Incredible sound staging for these size speakers, great detail and not lacking anywhere that I can find! They also look fantastic without the grilles on! Well worth your money if you want something sleek looking and with a fantastic audio quality. Tested on multiple amps and all ranges of volumes, they have yet to fail me in any way. If youre unsure, try them out. Return them if you dont like them, but Im sure you wont! Whether or not you believe burn in ( I dont ) I found that with multiple listening sessions on these guys gave my ears plenty of time to adjust to the treble forward sound. These are extremely detailed and work well with all types of music, from classic to modern rap, these handle it all with ease all while looking great!

  • Story Angel

    > 24 hour

    I own pairs of each of these: ELAC Uni-Fi UB5 Klipsch RP-600M ELAC Debut B6.2 ELAC Debut B6 Theyre all AMAZING speakers that sound fabulous at twice, three times, and even five times their price tags. None of them is anything less than superlative. Indeed, reviewers have run out of superlatives to bestow on all of them. The original Debut B6 is the all-time, possibly never to be dethroned, bang-for-the-buck audiophile speakers. If you dont have at least one pair of them, you havent lived, my friend! For $279, they simply turned Hi-Fi upside down, utterly reshuffling peoples expectations for affordable speakers. They were easygoing. Laid back. Powerful in the lower octaves. They make every recording sound great regardless of source material or amplifier. Im still speechless at what they did for THAT kind of money. It made EVERY other speaker company up their game. Dramatically. We owe a LOT to those speakers. Possibly the most easy to enjoy, most forgiving and easiest to please speakers of all time. I still use mine to this day, and Ill NEVER sell them. Every other speaker on this list exists SOLELY because of the ELAC Debut B6. Without them to show us all whats possible, for less than 4 or 5 figures, not many people would be getting into the Hi-Fi hobby/way of life. We owe Andrew Jones a debt of gratitude for designing them. The B6.2 had a bit more grown up sound. Simple as that. Lots of goodness there, and a bit more classy. And easier to position closer to the front wall because of the front port. The Uni-Fi UB5 brought affordable Hi-Fi to a whole nother level again. A true 3-way speaker with a coherence and holographic soundstage that leaves you breathless. Voices went from merely gorgeous to the point of being kissed on the eyelids by angels. Youve not heard voices sound like this, if you dont own a $3000-$5000 pair of speakers. Just make sure you have a GOOD, powerful, high-current amp to drive them, as theyre not sensitive, and theyre 4 ohm speakers on top of that. Theyre a glass of Châteauneuf-du- Pape, for ones who appreciate perfection and class. They arent for people who prefer cheap beer and professional wrestling. The ELACs never put a foot wrong. Their Hugo Boss suits never have a wrinkle, nor do their Ferragamo loafers have a scuff. They point their pinkies. Theyre accurate. They have a pinpoint placement in the soundstage. But it takes a LOT of clean power to get them to drop the classy act and just light the place up, which theyll do if you ask nicely. And give them gifts. Known as low-distortion, high-current, high-wattage amplification. Remember: you dont get the most beautiful woman to settle for a ride in your 1985 IROC-Z, a six-pack of Bud Light and some cold McDonalds fries, nor can you feed that to these speakers and get away with it. Bring out the Porsche, the medium rare filet mignon, and a Vega Sicilia 1989, and youre golden. (You also get rewarded with ludicrously low, detailed, and powerful bass.) The RP-600M killed all the preconceived notions that horn speakers are shouty and harsh. Good GRIEF, did they ever! And they did it with ANY amplifier. And they are always ready to have FUN. So engaging, refined, and...LOUD. Not very much bass, but did I mention that theyre fun? Id say theyre a really fine tequila. No salt or lime (or courage) needed. Plenty of flavor. Very effective. Lovely to sip in small amounts. But its ALWAYS ready to join you for five more shots, get crazy, trash the hotel room, and jump from the 5th-floor balcony into the pool WHENEVER you say the word. (In an experiment, I ran just the pair of them in my theater room, which is 35x15 feet. I set them on top of my main towers, told nobody that it was ONLY them playing, and they practically flexed the windows with output. Nobody believed me when I told them that I was only running a pair of bookshelves, until they walked over to them. Stunning. Ludicrous. FUN.) Enter the Triangle BR03. Put simply, its basically ALL of the best attributes of the others, but with little no none of the drawbacks. It makes recordings bring you to tears if theyre great, but doesnt punish you for bad recordings. Its presentation of the soundstage is in front of the speakers rather than at or behind them (but not as far forward as the Klipsch), and startlingly real. Its almost creepy. Like you can reach out and touch it-kind of realism. Not quiiiiite as shockingly real as the ELAC UB5, but close enough. Its got class in spades, AND it can party like a rock star. It can play as loud as you want, and it doesnt demand fancy components. There are 2 caveats. To wit: 1) A new pair of loafers needs to soften and mold to your feet. The engine on a new Audi RS7 needs the right number of revs for the right period of time, in order to have all the moving parts get bedded in and seated in their permanent operational positions. A new house needs furniture, beds, and pictures on the walls (and time) for it to feel like home. These arent imaginary concepts. These arent magical, esoteric fairy tales. These are facts. The same is true of the moving parts of a speaker. Trying to reduce it to mere test numbers on a graph doesnt measure what your ears tell you. So, back to the BR03. Right out of the box, they are BRIGHT BRIGHT BRIGHT, and the bass is merely good. This is not only fine; its also as normal as can be. Put on some good source material with plenty of vocals and cymbals for the mids and highs, crank it up, and give them 2 or 3 hours of a good workout. No, you dont need 100 hours. Yes, theyll continue to sound better, warmer, fuller, and less brassy the longer you play them, but 2 or 3 hours of loud-ish vocals and percussion will get them to open up to where you can get the proper idea of how these sound. This brings the brightness down to a still airy, but revealing and beautiful level...and it sends the bass into the stratosphere. I turn off my subs for music listening, and I had to go check the power switches on my subs. TWICE. Its ludicrous what these speakers can do down low. Youll be dumbstruck. That, or youll laugh like a right bloody idiot. Or both. For the woofers, instead of playing bass-heavy music that I find disgusting and repugnant, I skipped the middle man, and I dialed up a test tone of 25 Hz, turned the volume DOWN, then slowly adjusted it to where the woofer cone was giving me about 8-10mm of excursion, and MOST CERTAINLY NOT bottoming out nor making ANY type of untoward noise. I did this five times, at one minute each time. Again: DO NOT do this at high volumes. The result? Ooooooooh MAN. So very, VERY sweet. And POWERFUL. So DO NOT judge them on the very first notes that come out of them. Even just half an hour makes a difference. The first full week you have them, theyll transform from great to AMAZING. 2) Play with the placement. If you do it correctly, youll have a perfect sweet spot that spans the entire sofa (not just the middle seat), and the best part is that THE SPEAKERS WILL COMPLETELY DISAPPEAR. You wont be able to discern ANY sound coming from either of them. Ill tell you how I achieved that. Ive got two wonderful children, so I HAD TO put them on actual bookshelves, right up against the front wall. Everybody will tell you that this is the wrong place to put your speakers. And they would be right. Generally speaking, your speakers are at the front of the soundstage and the front wall is the back of it. Spatially, thats how it sounds. In a perfect world, you should have these on stands, roughly 2 to 3 feet out from the wall. But I couldnt do that. Also, the bass gets radically stronger the closer they are to the front wall. These are so bass-rich, it might be too much for some people. You can fix that with a little bit of EQ, but I myself dont mind at all. The key to this all...is angling them inward. I learned from The Legend himself, Mr. John Strohbeen (and from New Record Day on YouTube, which has a speaker placement and soundstage tutorial that is amazing) that you can make a HUGE, wide sweet spot where the speakers vanish and all you hear is music in your room...By playing with some radical amounts of inward-angled toe-in angle. So Ill make this quick and easy: put your speakers 9-12 feet apart, and angle them in at about 45 degrees. Yes. You read that correctly: 45 degrees. First, try your speakers firing straight out into the room. Theyll sound great, but the sweet spot will be in ONLY the one central seating position, and youll likely still be able to discern sound coming from the speakers. But then try this: Angle the speakers inward at such an angle that the LEFT speaker is aimed directly at the next listening position to the RIGHT of the central sweet spot position. Then aim the RIGHT speaker directly at the next listening position to the LEFT of the central sweet spot position. Next, it would be a good idea to hold on to your hat, because itll be blown away. Along with your mind. So buy a pair of these. Let them get a little exercise. Warm them up, so to speak. Then set them up correctly, put on Jennifer Warnes Famous Blue Raincoat or Lyle Lovett Joshua Judges Ruth, and be amazed. Youll be changed forever. Believe the hype, folks. Today, in September of 2020, these are the best affordable speakers on the market. p.s. If you want one of the single best system tweaks I have EVER found, get a vacuum tube preamp. But not just any. Get the Schiit Vali 2+. And get an Electro Harmonix 6922 tube, or a Sovtek 6n1p, right here on Amazon, for less than $30. Theyre dual triode tubes, and most everybody finds them to be THE best way of getting a positively MONSTROUS soundstage in width, height, and depth, or razor-sharp stereo imaging. In short, you get thousands of dollars of genuine single-ended-triode tube sound out of your existing amplifier. For next to nothing. Genius. Hope this helps!

  • Prof. Benny Wolff I

    > 24 hour

    Speakers had a nice tone to them but they had problems keeping instruments in the same register distinct which made me reluctantly send them back. It was noted by Thomas stereo on YouTube also

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